NarrativeArt Audio

NarrativeArt@NarrativeArt

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PromptOverview of song Break song down to 45 second intervals and generate automatically. I'll confirm the first and if I'm happy I'll continue ### General Feel: - **Tempo**: Around 120-130 BPM (upbeat but not too fast, like AC/DC or Midnight Oil). - **Instruments**: Distorted electric guitars, driving bass, steady drums, and a bit of synth or reverb for that 80s texture. Think power chords, catchy riffs, and a big chorus. ### Intro: - **Guitar riff**: A heavy, crunchy riff in **E minor**, palm-muted power chords (E5, G5, A5, B5). The riff should be simple but impactful, like **AC/DC’s “Back in Black.”** - **Drums**: Kicking in after the second bar with a basic rock beat (kick on 1 & 3, snare on 2 & 4, hi-hat straight eighth notes). - **Bass**: Locking in with the kick drum, playing root notes. ### Verse 1: (E minor, G major, D major, A major) - **Chords**: Follow a four-chord progression that repeats throughout the verse. Power chords with a bit of crunch. - **Vocals**: Keep it gritty with a bit of swagger. Minimal backing instruments at first, letting the vocals and guitar shine. Build intensity as the verse progresses. - **Guitar**: Simple, rhythmic strumming of power chords with a few palm-muted notes for groove. - **Drums**: Solid, mid-tempo beat. Snare on 2 and 4, hi-hat hitting eighth notes. Kick aligns with bass. ### Pre-Chorus (Transition): - Shift into **C major** and **G major**, create a bit of tension before exploding into the chorus. Add a short climbing riff between phrases to build anticipation. - **Guitar**: Ring out the chords with some open string slides to give that epic rock feel. - **Drums**: Build up with toms and crashes. ### Chorus: (E minor, G major, D major, A major) - **Chords**: A big open power chord progression. - **Vocals**: Melodic but powerful. This is the shout-along part of the song, where the lyrics “Workin’ for sweet fuck all” really stick. Double the vocals in harmony during the second line to give it that anthemic feel. - **Guitar**: Play fuller, sustained chords with some pinch harmonics or feedback to give a bit of that 80s grit. - **Drums**: Add more crash cymbals, with a more intense, driving beat. Maybe even a few fills between lines. - **Bass**: Follow the root notes but with a bit more movement, maybe a walking bassline. ### Verse 2: - **Same progression as Verse 1**, but with slightly more intensity in the guitar and drums. Add some backing harmonies or a second guitar with subtle licks for texture. ### Bridge: (C major, D major, E minor) - **Breakdown**: Bring down the energy slightly for a change of pace. - **Guitar**: Play some clean arpeggios or lighter strumming to contrast the heavy verses. - **Vocals**: More emotional delivery. Maybe add a few lines of ad-lib or chanting. - **Drums**: Simple, tom-heavy groove with minimal cymbals to create a sense of space. ### Solo: (E minor pentatonic) - **Guitar Solo**: Channel your inner Slash or Eddie Van Halen. A fast, fiery solo in the **E minor pentatonic** scale with some legato and bends, played over the chorus chord progression. Start with some high bends and then descend into faster runs, throwing in a few dive bombs or harmonics for that 80s feel. ### Final Chorus: - **Double chorus** with more intensity. Let the guitars soar, bring in some backing “oh-oh-oh” vocals to give it that arena rock feel. - **Drums**: Add more fills, maybe a double-time beat during the last few bars. ### Outro: - **Repeat chorus riff** while fading out, with the solo guitar playing some improvised licks over the top. - End with a big, sustained power chord ringing out. The overall vibe should be energetic and rebellious, with the chorus having that cathartic, sing-along quality. Think along the lines of **AC/DC**, **INXS**, and **Jimmy Barnes** for that classic Aussie rock sound with some 80s flair. Add vocals make full song full instrumental for first verse
Duration45s

ArtistNarrativeArt
TitleNarrativeArt Audio
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NarrativeArt@NarrativeArt

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